Monday, January 30, 2006

Where were you?


Q.

A. I was five.

Q.

Sitting on the linoleum floor coloring. I remember my babysitter gasping and clasping her hands to her cheeks. Her daughter, an only child, used to always piss me off by taking the crayons I needed. I was about to complain to the babysitter about losing the blue green crayon to the daughter but then it happened.

Q.

A streak across a sky, I guess. I didn’t really know what was going on. After awhile they looped a montage of footage: the explosion, the teacher-astronaut in her classroom leaning over a student who had a question, a man in a dark suit whose mouth was moving but who made no sound. It was a puzzle to me.


Q.

It was sitting on the kitchen counter, one of those small ones you tuck away so you can watch Wheel of Fortune while you’re washing the dishes.

Q.

My mom came. I think seeing her teary-eyed but all calm-voiced confirmed for me what the situation was. I remember saying that I thought it was pretty and realizing from the looks on my mom and babysitter’s faces that I should have kept quiet.

Thursday, January 26, 2006

Bricolage from various sources




A. As promised, Bricolage, with citations left out as a sort of ode to Following The Yellow Brick Road (although by definition this really is no bricolage, even if i give no indication who said waht) - I have a lot of time on my hands and a fairly laissez faire approach to how it should be spent, is the thing:

1. Instead of coming to have a concept of something because we have noticed that sort of thing, to have the ability to notice requires already having the concept, and cannot account for it.

2. The more diverse and individualistic a culture is, the more permeable it is to outside influences; and the freer and more mobile the population, the fewer are the certitudes. In America people are constantly rubbing shoulders, figuratively speaking, with fellow Americans known to have emphatically different views on the big issues, such as evolution, sexual morality, the nature of God, the importance of money, the value of fetal life, the morality of euthanasia, the rights of animals, the scope of equality, the proper aims and methods of international relations, the structure of the family, and the significance of race.

3. Perhaps for this very reason – the anxiety that rights were products of government rather than of nature – the age of the written constitution and the printed enumeration of rights was also an age deeply divided about textualizing rights.

4. So the time of the successful farming family is passing, and those who were settled in that way of life are as sad to see it go as American family farmers are whose lands are accumulated by giant agribusinesses. We can sympathize with them. But we cannot force their children to stay in the name of protecting their authentic culture, and we cannot afford to subsidize indefinitely thousands of distinct islands of homogeneity that no longer make economic sense. Nor should we. Human variety matters, cosmopolitans think, because people are entitled to options. What John Stuart Mill said more than century ago in “On Liberty” about diversity within a society serves just as well as an argument for variety across the globe: “If it were only that people have diversities of taste, that is reason enough for not attempting to shape them all after one model. But different persons also require different conditions for their spiritual development; and can no more exist healthily in the same moral, than all the variety of plants can exist in the same physical, atmosphere and climate. The same things which are helps to one person towards the cultivation of his higher nature, are hindrances to another . . . Unless there is a corresponding diversity in their modes of life, they neither obtain their fair share of happiness, nor grow up to the mental, moral, and aesthetic stature of which their nature is capable.” If we want to preserve a wide range of human conditions because it allows free people the best chance to make their own lives, we can’t enforce diversity by trapping people within differences they long to escape. (BOO-yah.)

5. It wasn’t quite a choice – it was a realization. I was twenty-eight and I had a job as a market researcher. One day I told my psychiatrist that what I really wanted was to quit my job and write poetry. And the psychiatrist said, “why not?” And I said, “What would the American Psychoanalytical Association say?” And he said, “There’s no party line.” So I did.

B. Most draft analysts agree that a prospective game of Terrorism v. America has a significant amount of Upside, but few agree on how much influence that will have on GMs who are twice bitten once shy with regards to purported Upside.

Looking forward to the State of the Union? Two years ago (or was it three?), when I had a job that was affiliated with politics in kind of isolated but austere watchdog way, my co-workers and I watched the SotU without succumbing to the passive spectation of those in the know. I don’t remember much of the context out of which Terrorism v. America was borne. (This was a period during which I earned a reputation of being a bit of a beer mooch – “Bring six, drink nine” was an oft-applied sobriquet amongst the tenants of the house at which I obtained my televisual fix, being too cheap to purchase an idiot box and the requisite DirecTV package.) I do, however, remember the game’s basic premise. Terrorism v. America is modeled on old “Roxanne/Red Light” drinking game of the Olde College Years. In “Roxanne/Red Light,” you listen to the Sting song after dividing up into two groups, one of which consumes a swallow of beer after the word “Roxanne” is sung, the other of which does same after “Red light” is sung. While watching the speech, no reaction need be made when the President squints his squint, or shifts his weight back to his heels and then leans up against the podium for emphasis; attempts to mimic the clipped Texas drawl of the President, by which “terror” becomes “terra” and “America” becomes “mer-ka,” are encouraged but not necessary. The only thing you need to do is drink when the President says “America” or “terrorism,” depending on which team you’re on. In our circle, “terror,” “terrorism,” and “terrorists” were all functionally the same. Likewise with “America” and “American,” but for some reason “the United States” was not included as a drink prompt. Given the correct demographics, serious sober contemplation of the SotU is to the onset of crippling cynicism as Terrorism v. America is to the onset of flagrantly enjoyable idiocy, of which idiocy all of us need a periodic dose. Projecting my shit onto you is not my bag, however, so feel free to watch another rerun of Seinfeld if your druthers lead you down that path.

C. By (implied) request, with apologies beforehand if this gives offense to your sense of decorum’s steadfast disavowal of ababcdcd. . . rhyme schemes.

Sacred Heart

For one who watches with too little rest
A body rousing fitfully to its pain
- The nerves like dull burns where the sheet has pressed -
Subsiding to dementia yet again;
For one who snatches what repose he can,
Exhausted by the fretful reflexes
Jerked from the torpor of a dying man,
Sleep is fear, invaded as it is
By coil on coil of ominous narrative
In which specific isolated streaks,
Bright as tattoos, of inks that seem to live,
Shift through elusive patterns. Once in those weeks
You dreamt your dying friend hung crucified
In his front room, against the mantelpiece;
Yet it was Christmas, when you went outside
The shoppers bustled, bells rang without cease,
You smelt a sharp excitement on the air,
Crude itch of evergreen. But you returned
To find him still nailed up, mute sufferer
Lost in a trance of pain, toward whom you yearned.
When you woke up, you could not reconcile
The two conflicting scenes, indoors and out.
But it was Christmas. And parochial school
Accounted for the Dying God no doubt.

Now since his death you’ve lost the wish for sleep,
In which you might mislay the wound of feeling;
Drugged you drag grief from room to room and weep,
Preserving it from closure, from a healing
Into the novelty of glazed pink flesh.
We hear you stumble vision-ward above,
Keeping the edges open, bloody, fresh
Wound, no – the heart, His Heart, broken with love.

An unfamiliar ticking makes you look
Down your left side where, suddenly apparent
Like a bright plate from an anatomy book
- In its snug housing, under the transparent
Planes of swept muscle and the barreled bone –
The heart glows, and you feel the holy heat:
The heart of hearts transplanted to your own
Losing rich purple drops with every beat.
Yet even as it does your vision alters,
The hallucination lighted through the skin
Begins to deaden (though still bleeding), falters,
And hardens to its evident origin
- A red heart from a cheap religious card,
Too smooth, too glossy, too securely cased!

Stopped in a crouch, you wearily regard
Each drop dilute into the waiting waste.

Wednesday, January 25, 2006

Protocols, Procedures, and Pusillanimous Entities


1.
“The movie ‘Spanglish’ offers an interesting perspective on this issue.” - Actual comment from fellow sojourner in ED 559: Special Needs and Multiculturalism in the Classroom

2.
Shortly after "truthiness"—which Colbert made the first "Word Of The Day" on The Colbert Report—was named "word of the year" by The American Dialect Society, and a subsequent Associated Press story neglected to credit him as the man who popularized the term, The A.V Club spoke with Colbert about Bill O'Reilly, fantasy role-playing games, and the plague of truthiness sweeping the nation.
The A.V. Club: What's your take on the "truthiness" imbroglio that's tearing our country apart?
Stephen Colbert: Truthiness is tearing apart our country, and I don't mean the argument over who came up with the word. I don't know whether it's a new thing, but it's certainly a current thing, in that it doesn't seem to matter what facts are. It used to be, everyone was entitled to their own opinion, but not their own facts. But that's not the case anymore. Facts matter not at all. Perception is everything. It's certainty. People love the president because he's certain of his choices as a leader, even if the facts that back him up don't seem to exist. It's the fact that he's certain that is very appealing to a certain section of the country. I really feel a dichotomy in the American populace. What is important? What you want to be true, or what is true?
AVC: You're saying appearances are more important than objective truth?
SC: Absolutely. The whole idea of authority—authoritarian is fine for some people, like people who say "Listen to me, and just don't question, and do what I say, and everything will be fine"—the sort of thing we really started to respond to so well after 9/11. 'Cause we wanted someone to be daddy, to take decisions away from us. I really have a sense of [America's current leaders] doing bad things in our name to protect us, and that was okay. We weren't thrilled with Bush because we thought he was a good guy at that point, we were thrilled with him because we thought that he probably had hired people who would fuck up our enemies, regardless of how they had to do it. That was for us a very good thing, and I can't argue with the validity of that feeling.
But that has been extended to the idea that authoritarian is better than authority. Because authoritarian means there's only one authority, and that authority has got to be the President, has got to be the government, and has got to be his allies. What the right-wing in the United States tries to do is undermine the press. They call the press "liberal," they call the press "biased," not necessarily because it is or because they have problems with the facts of the left—or even because of the bias for the left, because it's hard not to be biased in some way, everyone is always going to enter their editorial opinion—but because a press that has validity is a press that has authority. And as soon as there's any authority to what the press says, you question the authority of the government—it's like the existence of another authority. So that's another part of truthiness. Truthiness is "What I say is right, and [nothing] anyone else says could possibly be true." It's not only that I feel it to be true, but that I feel it to be true. There's not only an emotional quality, but there's a selfish quality.
3.

My journey to black literary insobriety isn't so different from how I came to appreciate free jazz after growing up in a house that contained two records, the soundtrack to "Enter the Dragon" and "Rufus Featuring Chaka Khan." It turns out that I enjoy never fully understanding what's in front of me, and I masochistically relish being offended while thinking about why I feel offended and if I should feel offended. I also live in Manhattan's East Village.

Tuesday, January 24, 2006

P & T Conferences


Few parents are coming. I sit and type, occasionally glancing out the window to watch some dorm kids play a rough and ready version of 3 on 3. Today was trying. Time seemed to inch along its path, and everyone seemed to have a shitty attitude. I almost dropped an F-bomb for purposes of sheer provocation. So you won’t learn. Fine – I’ll say fuck. Then at least you won’t sleep. I am the equivalent of Skinemax late night previews, a small amount of substanceless titillation that ends up angering the audience with its small yield. There is considerable irony in uttering things that you used to derisively dismiss and hoping they might have some effect, not for you the speaker, but for your listeners who may – in fact – be tuning you out. Well, no shit. That’s how this goes, idiot.
The ones who fuck around tend to be my favorites. I’ve said this before. I am terminally afflicted with repetitive repetition disorder, in a non-Kierkegaardian sense.

*****
Short sentences are the new Onyx, and I’m not just talking Sticky Fingaz. Thomas Gunn wrote a poem called something Heart (Sacred Heart?) that made it difficult for me to sleep last night. This has been a strange year for poetry, vis-à-vis my life. I wonder if more scars equals more visceral memories – and say this because I encountered two young people whose hands and forearms were canvasses of scars: nicks, slits, and stabs that I am guessing were the result of work, not socio-psycho fallout – because the times I had stitches burn on indelibly in my memory.
3. What is one of your prejudices?Hippies and Yuppies, but I am turning into both.
So says Carrie Brownstein of Sleater-Kinney.

*****
There is a need to be serious. Students have problems – deaths in the families, medications, learning disabilities, foster situations, have been abandoned, forgotten – all fucked up shit, in other words – and you can’t be that brainless self you normally are that makes jokes and stares at the floor to avoid dealing with large gray incessantly bugling pachyderms. You are the other adult on the end of this connection, and this is scary. Sometimes you do the thing, truly do it, and as a result you come away with a plan that is not the pedagogical equivalent of a “go deep toward the oak tree and I’ll heave it.”

*****
The night is ending. The night ended.

Sunday, January 22, 2006

Semantic Difference Occurs More Than Initially Thought, Researchers Say

In honor of the aesthetic overhaul, a listing of appreciative/honorific sentiments related to things out there in the world:

1) The sloppy bun.

Using a pencil or other accoutrement, the female subject puts her hair up in a casual but chic fashion. That I used the phrase "casual but chic" should indicate a fundamental inability to put into words the various positive feelings I have about the sloppy bun. There is the practicality of it, and though I feel as "style" is so overdetermined that at this point it means nothing, I nonetheless think the style it represents - often, if not always - is in harmony with my own minimalist aesthetic ethos. I also like the little tail of hair that sticks out after folded on itself.


2) Play action

Fool a linebacker once, shame on him. Fool him twice, shame on his momma for raising such an ignorant ass fool. Jake Plummer, may you have much success in the next game with play action. I like watching Favre run the play action, because he sustains the illusion a little longer by keeping the ball so low. Plummer's beard is better, though, and - if I remember correctly - he once broke a bone in his foot while getting off his couch.
[SEE ALSO: Stop and go routes to the corner, with obligatory pump fake that appears, on television, like a late 80s dance move documented in films like New Jack City and that Tupac flick which juxtaposes turn-tablin with a life of crime in the best of the cinema verite tradition. But when it works, it works (possibly the dumbest statement ever to appear on this blog); I LOVE to see cornerbacks' faces when they bite on the fake and try to haul ass to get to the spot before the ball does. LOVE it.]


3) Acts of decency (for instance leaning over to help the person who dropped three file folders and scattered papers all over place)

Understandably underrated, acts of decency are the social lubricant upon which general states of sanity are based. Do you realize how absurd (in a Sartrian sense, if you must) this thing "existence" is? Great, yes, but absurd as well. In the hustle and bustle of work, play, and passive spectation, it's easy to forget that there is really no point to life, unless you buy either the religious or evolutionary paradigm. We're just here for awhile, participating in the conversation and then getting pulled out at random times into some other state about which we spend precious amounts of time imagining simulacra. So, it's not just that acts of decency are bridges that display basic human empathy for the plight of others, which they undoubtedly are; committing them helps to distract us from the desultory, insular vacuum that we call "interior selfhood." They are the psychic equivalent, in other words, of buy one, get one free except they cost exactly nothing. Huah!

4) Standards of excellence, as opposed to continua of adequacy

There are times, of course, when just getting a job done is all you think about. The eff-ing sidewalk is full of snow, and you trudge out there and shovel it for fifteen minutes so all but the thinnest skin of snow is removed from the pavement. Good enough, yes. Excellent: no. And that's ok.
But "good enough" is not always good enough, which is why we normal people like to observe people who respect and strive for a standard of excellence in some field in which we ourselves are lacking. We were told in our youth that "everybody is good at something," and "no matter how good you are, there is always somebody better." the former I now find false, and my fidelity to the latter waxes and wane depending on how much coffee I've consumed at the time.
I had a point here, but my interest in making it is no longer a controlling factor in what I'm doing. Anyway, excellence: we'd be better off with more of it. Maybe. At this point it really doesn't matter - football is on and I have to exit the school to go watch some of it.

Farewell.

Wednesday, January 18, 2006

On the Other Hand, Philip Roth did say this:




"You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick: you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them: you get them wrong while you’re with them and then you get home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion empty of all perception, an astonishing farce of misperception. And yet what are we to do about this terribly significant business of other people, which gets bled of the significance we think it has and takes on a significance that is ludicrous, so ill equipped are we all to envision one another’s interior workings and invisible aims? Is everyone to go off and lock the door and sit secluded like the lonely writers do, in a soundproof cell, summoning people out of words and then proposing that these word people are closer to the real thing than the real people that we mangle with our ignorance every day? The fact remains that getting people right is not what living is all about anyway. It’s getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That’s how we know we are alive: we’re wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that—well, lucky you."

Friday, January 13, 2006

People with More Fingers than they Need and Use it to to Their advantage = priceless

Saturday, January 07, 2006

In Defense of Voluntary Poverty and Slackerism/In Condemnation of Voluntary Poverty and Slackerism

What do you owe to others, and who are these others? Need the others be “Other,” or is that just mealy-mouthed sentiment that bleeding hearts spew in between trips to Neiman Marcus and the nearest available Hilton? Is it ok to pretty much do what you want so long as you don’t hurt anyone, or do you have some obligation to ameliorate some of the bad shit that happens to other people? Should “people” be the categorical threshold at which our acknowledgment of “bad shit” ends? What about the environment, or other sentient beings? Should you go make a lot of money, become financially secure, and shower worthwhile causes with the financial noblesse on which their do-gooder engines depend, or should you step into the veritable trenches and attack the problem (whatever it is) head on? Do you work in the homeless shelter now, or endow it with millions thirty years from now? How can money/private property/capitalist practices be the root of all evil if anyone and everything that fights against evil depends upon monetary donations? How can you be so smug, Sherlock?
What if the so-called sacrifice you make for the common good is really just a dodge, an out you’ve taken to avoid battening down the hatches and engaging in some serious competitive maneuvers against people for whom “no surrender, no retreat” is an animating ethos? Or, conversely, how can your “accomplishments,” your climb up the ladder of personal career goals and payscales, matter? How does your life amount to anything more than a solitary quest for a set of satisfactions so small and negligible that it (the quest) mine as well not even take place?
There’s that part in the Nietzchinator where he chides any and all do-gooders as essentially prideful dilettantes. He thinks they satiate their need to feel good about themselves by narrating autobiographies in terms of sacrifice, the common good, and so on, which autobiographies are essentially self-delusional pick-me-ups. Do gooders like to feel superior, just like Will-to-Power subscribers. The difference is not the end, but the means that lead to it.

I have to go eat lunch now.